Step Two: The Exploration Phase

After meeting with your director, it is a good idea to start listening to music to develop a ‘sound’ for the play. You can use Spotify, Youtube or another streaming platform to explore a nearly endless amount of music for free.

When I began working on Antigone Now, I juggled a number of different ‘sounds’ during this phase. As the play is a modernized version of the ancient Greek tragedy Antigone, I thought the music should reflect both the play’s modern setting and its ancient roots. I listened to dozens of contemporary film scores in order to get a broad sense of what kind of music is being used in films today.

I boiled my search down to a number of ‘sounds’ that could work. These were an acoustic guitar-based Americana sound, a ragtime inspired piano-based sound or a modern, synthesizer-heavy sound. Then I played a sample of each as I read various scenes from the play. This process is fairly unscientific; it mainly just helps you find a musical direction. Designers must develop their ear to be able to determine what music fits with which scenes.

None of these ‘sounds’ matched the script well, however, so I had to return to the drawing board. I liked the acoustic guitar but I didn’t want to completely abandon the possibility of incorporating synthesizers into my design. I searched and listened and searched and listened, and I couldn’t come across any soundtracks that fit my desired ‘sound.’

I decided to retreat into my personal music collection and see if I could find any inspiration. I ended up listening to a abstract vocal song from an avant-garde Italian soundtrack from the 70s, and inspiration hit. Soundtracks from southern Europe in the 70s experimented with synthesizers, but also used traditional instruments like acoustic guitar and strings, sounding both new and old. Moreover, they held a certain Mediterranean musical quality that could evoke the play’s Greek roots. Using a songs from a number of these soundtracks, I created my ‘sound.’

The problem? This type of soundtrack is generally copyrighted. I would advise not to get too attached to the songs you find in this phase, because your director may require that you only use music that is in the public domain or licensed under creative commons. Follow Staging Sound and stay updated to find out how to find music you can use for free in your sound design!